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Article

Volume 41 • Number 3

Fall 2007


 


What's So Great About the Real Thing?

by Jonathan Mckeown-Green

Introduction
Tradition has it that the best way to familiarize oneself with a musical work is to attend a live performance. Teachers urge promising students to frequent concert halls, clubs, or stadia. Musicologists typically adopt the perspective of an ideal concert-goer when arbitrating matters of interpretation or evaluation.
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